Friday, April 16, 2010

"Bad Lieutenant: Port of Call New Orleans" Review



"The Bad Lieutenant: Port of Call New Orleans." Wow. If you think the title is unorthodox, just wait until you watch the film.

Terence McDonagh (Nicholas Cage) is a detective in post-Katrina New Orleans. After a cripplingly painful back injury, an addiction to pain killers tips the already shady McDonagh over the precipice of debauchery. Soon he is waist deep in addiction and blackmail, simultaneously struggling to keep a handle on his sanity and solve the brutal murder of a Senegalese family. As the investigation continues, McDonagh's dependence escalates, and the story veers further and further from the expected.

German New-Waver Werner Herzog is at the helm, and although the subject matter seems a bit outside his usual territory, he imbues the film with all art-house weirdness fans have come to expect.

The film plays dress-up in the clothes of a sleazy detective-on-the-edge story, but at its heart, Bad Lieutenant is about debasement and chaos eating at the heart of the Big Easy, and at the heart of the titular detective.

I make it a general rule to avoid Nicholas Cage like the plague. However, unhinged detective Terence McDonagh is the perfect outlet for Cage's unabashed insanity. Cage's bug-eyed, hunch-backed absurdity seems to have a finally found a home in Herzog's New Orleans.

With a poorly cut suit and a .357 magnum tucked behind his belt, McDonagh is a protagonist Herzog can be proud of, channeling the driven madness of Herzog's long-time go-to lead, Klaus Kinski. It's undeniably fascinating to watch Cage's flailing descent into his madness, and despite the apparent amorality of many of his actions, McDonogh somehow manages to remain strangely sympathetic.

Solid performances are turned in by the supporting cast, which includes Eva Mendes and the lovably dumpy Val Kilmer.

While all the features are in place, "Bad Lieutenant" is far from Herzog's best. The story is scattered, and Herzog's attempts at visual poetry seem all too often contrived. The breakdancing spirit of a dying criminal is certainly a striking image, but in the context of the work it comes off as sloppy and unusually self-indulgent. It's unclear whether Herzog has become deluded by his own mythic reputation, or he's simply struggling to find his voice in more mainstream work.

Bad Lieutenant: Port of Call New Orleans is seedy and convoluted, but it boasts some great performances and some mesmerizing Herzogian strangeness. Herzog aficionados and character buffs will find a lot to think about, but casual viewers should beware: this port of call is not for the faint of heart.

Grade C+

Thursday, April 8, 2010

"The Fantastic Mr. Fox" review



Let me get this out of the way. "Fantastic Mr. Fox" is one of the best animated films I've ever seen.It does what all films seek to do, by creating a unique and appealing world, and populating that world with a wealth of, for lack of a better term, fantastic characters.

The film is based on a book by Roald Dahl, whose works include "Charlie and the Chocolate Factory," "The BFG," and "The Witches." The major plot points of the film are roughly corollary to those of the novel, but the film is a Wes Anderson joint, through and through. Mr. Fox (George Clooney) is a reformed bird thief turned newspaper man, who despite a devotion to his wife and son, yearns for the excitement of his glory days. When the fox family moves into their new home (tree) near three prominent farms, Fox decides to embark upon one last heist.The Fox family dynamic is altered by the arrival of Mrs. Fox's nephew Kristofferson (Eric Anderson) who lodges in the Fox home while his father battles "double-pneumonia." Fox's twleve-fox-year-old son Ash (Jason Schwartzman) is jealous of Kristofferson's talents and stature, and his father's blatant admiration thereof. As Fox squares off against the three sinister farmers, Boggis, Bunce and Bean, and tries to hide his illicit activities from his suspicious wife, (Meryl Streep) Ash struggles to outshine Kristofferson and makes his father proud.

The plot is whimsical and exciting, but as in all of Anderson's work, what really shines are the characters. Each is beautifully animated and brought to life by wonderful voice work by a cast including Bill Murray, Adrian Brody, Owen Wilson, Willem Dafoe, and Michael Gambon.

The dialogue is hip and crisp without being gimmicky, and the timing of the interactions is pitch-perfect. There are some poignant moments, as well as some that made me laugh aloud.You'll find yourself quoting this movie for days. It's rife with brilliant and bizarre one-liners.

Even if you've never seen any of Anderson's work, including "The Royal Tenenbaums," and "Rushmore," you'll immediately identify his offbeat aesthetic. Fantastic Mr. Fox is made using stop motion animation, but Anderson's lovable visual trademarks are all here - deliberate and methodical cinematography, vintage style, vibrant color, and prominent on-screen typography. The construction of the characters and sets is charming and novel, and every frame features a stimulating palette of color and texture.

Rounding out the experience is a raucously excellent soundtrack, featuring The Rolling Stones, The Wellington, and Burl Ives. There's even an original tune by the on-screen avatar of Jarvis Cocker. The mix of off-kilter animation and washy 60s rock is a pure delight.

I don't have much in terms of summation here, guys. Every element of the "Fantastic Mr. Fox" is fantastic, and the final product is nearly without flaw. It's poignant, funny, and a joy to behold. Simply put, it's one of Anderson's best. See this movie, folks. You won't regret it.

Grade A

Friday, February 26, 2010

Shutter Island review


The Gist:
"Shutter Island" is based on Dennis Lehane's novel of the same name. The narrative follows Federal Marshals Teddy Daniels (Leonardo DiCaprio) and Chuck Aule (Mark Ruffalo), who travel to the titular islet to investigate the mysterious escape of a patient from a Ashecliffe, a hospital for the criminally insane.
As the investigation unfolds, Teddy's traumatic past is slowly revealed, and it becomes apparent that the staff of Ashecliffe Hospital know much more than they're telling. It doesn't help that the two head physicians are played by Ben Kingsley and Max Von Sydow, who rank (among some of my ex-girlfriends) as some of the most potentially sinister people in all the world.

What's good:
Scorcese, but that's no surprise. He's been in the game so long that he can out-direct most of his competitors with his eyes closed. It's fun to see him apply his A-list talent to some satisfyingly B-movie material.
Every technical aspect of the film speaks to Scorcese's mastery of the medium. He knows exactly where to place the pieces and how get them moving in the right directions.
Also worthy of mention is our Li'l Leo. True, his facial hair looks like an arts and crafts project gone awry (too much glue, too little glitter), and he often appears to be playing dress-up out of dad's closet. However, DiCaprio is reaching the point in his career at which even the most vicious of naysayers can no longer legitimately deny his talent. The character he creates is sympathetic, complex, and unfailingly watchable. Incidentally, his German isn't bad.
Along with great lead performances, each and every ancillary character is nearly perfect. Emily Mortimer and Patricia Clarkson turn in some especially great work.

What's bad:
"Shutter Island" works very hard to misdirect the audience. In doing so, it sometimes gets ahead of itself. While some contrivances are made more understandable by some developments late in the film, there are some bothersome superfluities. Cinematic sleight-of-hand is essential in creating mystery, but so many moving parts sometimes make "Shutter Island" feel a little sloppy.

What's ugly:
A whole lot. The island is full of scary, bloody people. The winner has to be Jackie Earle Haley, who defends his title as the creepiest little dude in the movie business. Bruised and disfigured, he makes his single scene one of the film's most memorable and disturbing. As the conclusion comes into focus, the brilliant details of the scene become even more profound.

The Bottom Line:
"Shutter Island" has so many outstanding elements, but never quite reaches the excellence promised by the talent involved. In the end, it's like watching a group of Formula 1 superstars cruising around in Pow-Pow-Power-Wheels sports cars. These folks are experts and the pedal is on the floor, but the vehicle just can't bring them up to speed.
It's not Scorcese's best work, but as thrillers go, it's solidly above-average. Well constructed and featuring uniformly excellent performances, "Shutter Island" is popcorn film making at its best.

Thursday, February 25, 2010

The Best Chat in the History of 'Merica

me: Sarah, did you know that last week, my friend and I bought 180 dollars worth of soccer apparel? Of course you didn't.

Sarah: I did.

me: YOU DID?!

Sarah: Of course.

me: Oh.

Sarah: Also. Weren't you going to offer to sell it to me?

me: Yeah,but here's the thing, I told you once, and I told you twice- I DO NOT deal in yen. Ever. It's JUST policy, Clark. Nothing personal. So if you can scrounge up some Euro,'ell, I'll even take Rupees. But NOT. Yen. Ever.

Sarah: Why are you racist? Against Asians? And please don't call them Japs anymore.
That was so 1943.

me: You WOULD make it about race. That's just like you. It's got nothing to do with race. It's all about perceived value.
If it takes me 40,000 of something to pay for a bag of chocolate skittles, I might as well be paying with bellybutton lint!

Sarah: Please don't try that again. Bellybutton lint is not a valid currency.
I have finally learned.

me: Yeah. That's one of those lessons you have to learn the hard way. I've been in the business long enough to know...and another thing - will you get your Private Investigator friend off my back?!
I know he wants in on the fireworks game but he's gotta be patient.Asians are poor when it comes to expedited shipping.I mean, ya know, the countries. Not the people.
I got nothing against the japs--ER, uh, japanese americans...the japanese.I have nothing against the japanese

Sarah: Nothing against them but resentment.When are you going to stop blaming them for your circus failures?

me: My circus failures? MY circus failures?! We both know that Ling-Ling was working for the Irish and that that line was not secure from the start.
And frankly, I think it's cruel of you to bring that up. You know my thorax still keeps me up at night.
Lawdy, between you and the IRA I'll never live this down.

Sarah: Oh I forgot to tell you.I now work for the IRA.My code name is Ling-Ling.
And it always has been.

me: I thought you were dead.Oh Ling-Ling. I'm so sorry. How can i make it up to you?
I've always loved you. From the start.
Ling-Ling...did the child survive? OUR BABEH?!

Sarah: Yes. She is tall now.I mean really tall.10' tall.She works in the circus.
Just like her ole dad.Did.

me: Is she tall? JUST tall? Or does she have the unfortunate disfigurements that so often accompany the tallness?

Sarah: She is beautiful.Even her third eye is lovely. Blue and green and shiny.
shining, rather. Just like the sea you left us by. When you deserted us for a trifle.
I couldn't believe you'd left me for a dessert.

me: I know, I know. I feel awful...mmmm feelwaful...falafel...but dear. did you TASTE the trifle? I mean, it was life changing trifle...


Plus I thought you were dead.

Sarah: You're always saying that when it's convenient for you. Like that time you thought I "died" in the grocery store when really I just didn't want you to buy that bag of frozen chicken wings because we already had three at home?
You know, some women's men tell them that they are second in their lives only to God.
In your life, I'm second to taste treats.

me: Oh Ling-Ling, you were never second. Third, in fact. Gotta remember fantasy curling. But how am I supposed to know you're alive when you don't even high five me after I beat the Frogger highscore at the YMCA?I mean, how can I even FEEL like a man without a high five every once in awhile? I mean, how many headaches can one person have? And why does that even interfere with highfiving? If I knew you wanted a high five, I would high five you from my death bed? I guess that's what I get for marrying an O'Rourke.

Sarah: Alright.Now you've gone too far. Just because the O'Rourkes have a genetic predisposition to having fingers on our foreheads doesn't mean you need to be getting all nasty about my family.We have good genes!
It's the O'Rourke in me that made me so musical! It's the O'Rourke in me that made me a good jigger! It's the O'Rourke in me that enables me to whistle with my ear that favorite tune of yours, the one that can make your calves unknot and your cows come home.

Ben: You know what really hurts? I don't know if i even WANT my cows to come home anymore.

Sarah: I hate to say it, Benxander, but you are the fairweather farmer
you promised yourself you'd never become.

me: I have become so many things I used to hate. The casual sportcoat over a trendy graphic tee. The reliance on predictive text. what have I become? A fairweather farmer, I guess. See, even my memory is going? And the question marks? The superfluous question marks?Sometimes I wish I died in that grocery store instead of you.


Sarah: I could make that happen, Ben. I could kill you in a grocery store. Then we would both be dead.

me: And all those chicken fingers would go to waste - WAIT -I'm sure our ten foot daughter could knock em out.

Sarah: Better to waste than on the waist as Papa O'Rourke always says.Our 10' daughter can do everything. She's magical. And imaginary. In that way, she takes after you.



Thursday, February 11, 2010

Little Manhattan review


Spring is set to spring, and love is in the air. In Cache County, so are pollutants (it's an orange day.) Is there a difference? You decide.Two things are for certain: Valentine's Day is almost upon us, and it's rom-com time.

Somehow, I completely missed “Little Manhattan” when it hit theaters in 2006. It's a stealthy little movie; I only recently discovered its charm with the help of friends.

The brilliance of “Little Manhattan” is its independence from typical rom-com features. I am not opposed, in any way, to either romance or comedy. However, slap a hyphen between the former and the latter, and chances are, you'll get neither. Today's so-called romance comedies are increasingly crass, and decreasingly substantial.

“Little Manhattan” skillfully strips away some of the arbitrary trappings found in “adult” depictions of love, and in doing so, creates a rare and wonderful film that lives up to the promises of its genre.

The film tells the story of Gabe, a typical Manhattanite, who in the 11th year of his life is blindsided by love. The object of his affection is Rosemary Telesco, a classmate and budding karate master.

As Gabe learns from the thrilling yet torturous new experience, he turns to his father Adam for advice.

Adam mentors Gabe in the nonsense of love, and begins to ponder the shortcomings in his own relationship with his emotionally estranged wife Leslie.

Pretty early on, it's easy to see exactly where “Little Manhattan” is heading, but you'll enjoy the trip.Mark Levin makes a strong directorial debut. Levin was a co-producer on television's “The Wonder Years,” and “Little Manhattan” shares in much of what made the series so appealing. The tone is warm and whimsical, and there is a clear sense of emotional morality. It occasionally veers into the realm of manipulative, but some funny moments and the familiar absurdity of Gabe's inner dialogue keep it from becoming too sugary.

If you have some time this weekend, give “Little Manhattan” a chance. If you've got somebody, share it with them. If you don't, share it with yourself. Either way, you'll find plenty to love, and plenty to hope for.

In a cinematic culture that teaches us to believe that relationships are about sex, or secrets, or meeting the parents, “Little Manhattan” reminds us that sometimes, love is about knowing when to hold somebody's hand.


Thursday, December 3, 2009

Let The Right One In review



Despite crushing loneliness and a complete lack of satisfying social interactions, working nights is not without its advantages. It affords me plenty of time to stare into space, with ample time left over to keep my international film-viewing resumé up to date.

The most recent addition to the laughably voluminous list is a Swedish film called Låt Den Rätte Komma In (Let The Right One In.) In the loosest sense, Let The Right One In is a vampire movie. Which is to say, there's a vampire in it. It could just as easily be described as a movie about friendship, revenge, or loyalty. This complexity is what makes the film so excellent. A conspicuous dedication to character gives the filmmakers the ability to innovate within a seemingly drained genre. It differs from clichéd portrayals in important and unique ways, but manages to create an experience that is both familiar and refreshing.

The story follows Oscar, a lonely outcast who struggles with a fractured family, physical weakness, and constant torment from school bullies. One evening Oscar meets Eli, a strange little gal who, by her very nature, relates to Oscar's isolation. Slowly but surely, the pair become friends, with Oscar providing the affection and understanding that Eli craves, and receiving Eli's wisdom and protection in return. The relationship is quiet and haltingly sweet. Even as Eli's nature becomes apparent and the blood begins to flow - in great supply - the interactions retain an affecting innocence.

The film keeps its characters in sight from the first frame to the impressive conclusion, a feat essentially unmatched by American equivalents.

The characters are certainly at the heart of the film, but the entire production is a joy to behold. It has one of the most beautiful opening shots I've seen in years, and in true Scandinavian fashion, the quality of cinematography is marvelous throughout. The stark Swedish landscape is a perfect backdrop, used skillfully to emphasize Oscar and Eli's seclusion. The special effects are tastefully minimal, often chilling but never distracting. Best of all, nobody sparkles.

By stripping itself of the fatigued trappings so often seen in vampire cinema and literature, Let The Right One In succeeds in new and exciting ways. True film lovers really couldn't ask for a better gift for the Holiday season. Do yourself a favor and get cozy with these Swedes.

They may not be able to defend you from H1N1, but they should help dispel the the worst symptoms of New Moon Fever. Team Eli 4EVR.

Wednesday, November 4, 2009

This Is It review



This Is It is a documentary about Michael Jackson and company preparing for the King of Pop's
ill-fated final concert run in London. The film's cited aim is to show MJ "Like You've Never Seen Him Before," but in reality it only solidifies two prevalent suppositions about The Gloved One:

First, that Michael Jackson was the quintessential popular performer of our time. Second, that Michael Jackson was an undeniably peculiar fellow.

It's difficult to write a film review for This Is It, because in the strictest sense, it's not really
a film at all. While it falls under the documentary category, the sparsity of annotative content makes it a bleak example of such. More than anything else, This Is It is a shrine to the achievement and legacy of a boy from Gary, Indiana.

In terms of technical production, the work is excellent. The majority of the film consists of rehearsal performances of Michael's many hits, (Beat It, Thriller, Billie Jean, The Way You Make Me Feel, etc.)
Most of the numbers feature compiled footage from several different rehearsals. The footage is excellently and unobtrusively edited, and it's fascinating to see the production at various stages of completion, as well as MJ's skill for improvisation. Some of the music is in the process of being perfected, and Michael mentions several times that he's trying to save his voice, but the power and variety of the Jackson canon remains impressive.

Canned interviews throughout are filled with accolades for Michael's energy and humanity, but the footage exposes Michael's lack of any identity independent of his music. Although his musical vision and understanding are apparent, he is often completely helpless in articulating it. His communication is fragmentary and platitudinous, and he seems unable to relate in any pertinent personal way to the cast and crew. This isolation is only exaggerated by the constant and obnoxious pandering of Kenny Ortega, who was Jackson's stage director as well as the director of the film.

The film is at its best when it avoids trying to render forced warmth and instead focuses on Michael's unique talent and penchant for entertainment. This Is It portrays Michael Jackson in all his myth and mystery. It forces us to understand him in the only way in which he can ever be fully understood: as a performer.
It lets him live onstage, connecting with humanity through his music and movement, a feat he is unable to achieve through any other means. He is in command of the very world that we, the eternal audience, both created and forced him to inhabit. Under the lights of This Is It, we see and remember the best of a troubled and misunderstood human being. What better eulogy could any of us ask for?

Thursday, October 29, 2009

...and it came to me then

...that every plan is a tiny prayer to father time."
- Death Cab for Cutie

Recently I have come to believe this. And father time is not answering my prayers.

The last two years have been a consistent string of disappointments. It seems as if every one of my plans has fallen through. I was spectacularly binned by both a woman and a country in the space of one week. After a year of confessions and flayed pride I had the rug pulled unceremoniously from beneath me, only to become a bullet point on someone's ecclesiastical résumé. I sometimes feel like, a la Little Pete and Artie, I'm trying to beat up the Atlantic Ocean.
I'm keeping my feet moving. I'm throwing punches.

The strange thing is that in the fevered brevity between landed blows, I find gratitude. I have learned so much.

"When meeting calamities or difficult situations, it is not enough to simply say that one is not at all flustered. When meeting difficult situations, one should dash forward bravely and with joy. It is the crossing of a single barrier and is like the saying, "The more the water, the higher the boat." - Tsunetomo Yamamoto, Hagakure

Tuesday, October 27, 2009

My Dear,

Here are some things that need to be said:

At my worst, I am ashamed to know you. I am ashamed to have spent so much time with someone so self-serving and unerringly vapid.

I regret having fallen for it. I regret every moment I spent ignoring my better judgment and trying to "make things work." I am grateful that I won't have to spend the rest of my life explaining punchlines. And politics. And who we were fighting in World War II. (I mean, really. How have you made it through college?)

I would love to say that I wish you only the best, but I can't. Eventually I will. At the moment I want you to hurt.

It's been helpful to remember how cruel you are. It's been helpful to know that you've pulled this trick before; that I'm not the first, nor will I likely be the last. It's been helpful to remember your selfishness and lack of depth.

I laid myself open, and you spat inside.I am bitter from that incomparable hurt.
I am bitter from the apparent defeat of all that was good in you. Amidst your smallness, I glimpsed something warm and lovely. There were times when you believed in who you might be. With your hand in mine, you reached for the beauty of it. In the end, you've fallen among thieves, and in glazed triumph have traded all the best of you for the trinkets of a culture you're too lazy to comprehend.

I prefer cyanide to your saccharine. I wonder why you gave up.

And I miss you. Still.

Monday, April 13, 2009

Girls.

The battle of the sexes has raged, and cuddled, since the dawn of man. and woman.
Why is the conflict so heated, and why have we failed to draw up satisfactory terms for a ceasefire?

I have an answer.

1. Cafe Rio
96% of females (in a made-up-in-my-head-blind-study) raved, gushed, or clapped when Cafe Rio/Costa Vida was introduced into the study environment. Why is that? Why are the majority of females so united in their love of this ethnically non-noncommittal delicacy? Is it genetic? Does the extra X chromosome contain some sort of tex-mex craving?
Theory: Despite the fact that, depending upon the amount of south-o'-the-border fixins, most Cafe Rio dishes bestow you with ~1300 calories, they are, conspicuously, salads. Under this definitional guise, women are free to enjoy mounds of meat, geographies of produce, and a fried tortilla large enough to be incorporated into the famed opening ceremonies of the Beijing games.

Karma


Believe me when I tell you this. I wish I could burn the boats. I want so badly to empty my hands, and swell my lungs with the breath of this unknown country.

The sea is comfort. It is empty, save for the bodies of those who have come before. The sea is fear, but it is a fear that is known to me.

Ahead of me, the shore sprawls like light beneath the door. The wind sweeps the sand; their whispers curl about my ankles.

The whispers tell me that I will find nothing at sea but an empty horizon. I hear them, and I know that these ghost voices are true, but I am so weary of this battle. I am weary from beating back the waves, riding against a line that will never break.

And so, I will stay with you on this wet and sparkling shore. I will splay my hands and feel the candle flame lap at my palms. I am reaching for a love to cling to, here on the cold and tattered edges of the new world.

Tuesday, March 3, 2009

South Park Rorschach


it was more fun than studying!

Wednesday, November 5, 2008

Grow up.

OK...first of all, more Federal funding, per se, does not equal socialism. If it does, the Bush administration is balls deep in all sorts of "Socialist" ventures.

Secondly, why are you so against socialized systems in the first place? Obviously there are issues, but Capitalism, as evidenced by our dismal economic state, isn't exactly fool proof either. If socialized health care and education are inherently evil, why is it that the nations of Scandinavia, that hotbed of pinko-commies, boast some of the highest life expectancies and quality-of-life measurements in the world? It appears that a free-market economy, combined with a strong welfare system, can be effective. The sheer size and demographic makeup of the United States is what make social systems such a difficult fit, not ineffectiveness (or to use the popular vernacular, 'suckiness') of the systems themselves.

Ok, so we've nixed the "if we socialize medicine, everyone explodes" family of arguments. What about the ideological stance? In oversimplified form; our Founding Fathers, champions of righteousness and tolerance, created an infallible system meant to staunchly stand the test of time. It's a beautiful idea. Let's delve a little deeper. Are any of you really convinced that the constitution was set forth by perfect men? This isn't just recreational iconoclasm, folks - let's face it - the founding fathers were adulterers, slave owners, and believe it or not, circumventors of their own Constitutional document. For crap sake, we've got the captain of a near genocide on our twenty dollar bill.
So now I've stirred the proverbial hornets nest. My point is this - we have an imperfect system set forth by imperfect men. Despite the flaws of these men and the document they created, our government remains the best system in the world. Why? I believe the element that gives our system its strength is its intrinsic flexibility. In other words, our ability to alter our political machine in order to better serve the masses. So, if you truly have respect for the foundations our ancestors laid down, you have to acknowledge that the best course of action is to make our government work to our best interest, even if that means abandoning the Grand-Old status quo.
It will be a challenge for many rise above the temptation to misconstrue. I am proud to be an American, and I am so sorry that in the 2008, there are those among us who still tote ignorance like their fathers gun. If you disagree, no problem. However, please construct a reasoned argument before you start spewing your knee-jerk Cold War sentiment. If that's too much for you, feel free to slide back into your intellectual cesspool and take a few minutes to collect your thoughts. Dictionary.com is always there for you.

Monday, April 21, 2008

Self-Actualization

I kept a promise to myself today, and it felt wonderful.

Once upon a time, I promised myself that if I ever found a pair of black Adidas superstars, in my size, for under fifty dollars, I'd buy them on the spot.

Today, I found those superstars, and snatched them from the shelf like an eagle snatches a baby from its mother's arms. What?

I've been thinking. I felt better today than I have in perhaps the last two weeks. Why is that?
It's because I kept that promise. I reached back to a previous self and a torch was passed. It has been a long time since I have lived up to my own expectations.

Maybe I just need to set smaller goals for myself. Achievement always makes me feel good, even if I'm not achieving anything effectual. I need to construct my days of small, worthless milestones so that I can feel like I've accomplished something.

What can I promise myself tonight? What can I shred so I might leave a trail of breadcrumbs back to acceptance?

The next time someone asks about my friend, I will have only good to say.

Wednesday, April 16, 2008

There Will Be Blood

1 - Man falls into mineshaft, breaks leg
2 - Man with broken leg crawls across an enormous desert, and learns that he's found hisself some BLACK GOLD!
3 - Poorly co...(read more)nstructed pulley system falls into oil well, killing a man
4 - Broken leg man, now healed, feeds high-proof alcohol to now-fatherless infant (see #3)
5 - All manner of crazy religious zealotry and creepy healings and castin' outs a' satan
6 - Drill Piston is knocked into well, graphically killing yet another unforunate employee of Crazy Daniel Day-Lewis Inc.
7 - Oil Well Explodes
8 - Once-Fatherless-and-fed-high-proof-alcohol-as-a-baby-now-adopted-and-raised-by-Crazy-Daniel-Day--Lewis is deafened in the explosion.
9 - Crazy DDL beats up creepy preacher man
10 - CDDL's crazy fake brother shows up
11- O-F-a-f-h-p-a-b-n-a-a-r-b-CDDL (Deaf Boy) (see #8) lights fake brothers bed on fire
12 - CDDL abandons deaf son on a train. Believe it.
13 - CDDL finds out Fake Brother is a Fake and shoots him in the head
14 - CDDL threatens to slit a man's throat for pretty much no reason (this one is way out of order but i didn't want to renumber)
15 - CDDL fake converts to creepy Christian sect
16 - Deaf son returns years in the future to find CDDL a rich raving drunk. CDDL calls him a bastard in a basket and then gets told off, SIGN-LAGUAGE STYLE!
17 - Creepy preacher shows up looking for money, CDDL makes him denounce God, makes a weird intense Milkshake analogy and beats CP to death with a bowling pin from his private alley.

that's all you need to know.

Perchance to Dream


On brittle autumn night, I got into my car and drove. I leapt out into the night, a wingless, hopeless bird. I ventured forth, not to kill time or to escape the reek of the dishes piled in our kitchen (which was considerable) but to decide whether or not my life should continue. My motivations were manifold, but thinking back to that portentous night, I begin to recognize the theme of my despair – a perceived inability to connect and communicate with the world enveloping me.

In an attempt to classify and understand my plight, I thought back to a sociology course. Although I spent an inordinate amount of time trying to determine if my professor had teeth, I did remember distinctly a lecture concerning sociological explanations for suicide. Pioneering Sociologist Emile Durkheim was one of the first to look at suicide as the result of societal influences rather than individual weakness or dementia (Emile-Durkheim.com).
"Collective tendencies have an existence of their own;” Durkheim wrote, “they are forces as real as cosmic forces, though of another sort; they, likewise, affect the individual from without..." (Thompson 109 [excerpt from Durkheim’s Suicide])

Durkheim set forth several empirically based explanations for how collective tendencies affected suicidal motivations. They are organized into four major categories, subdivided into two spectrums – social integration and moral regulation (Archive). The first is designated as altruistic suicide. According to our friend Emile, altruistic suicides occur when an individual is over-integrated into a society or group. This type of suicide is associated with self sacrifice, and often occurs when an individual feels that the needs of the pertinent group outweigh his/her own needs (Dunman). On the opposite end of the social integration spectrum is egoistic suicide. When an individual feels that he has no ties to a group, the perception of social cause and effect diminishes. If choices are inefficacious, suicide loses its repercussive weight. An individual asks the question, “If nobody will miss me, why should I stay?”

The morally regulated designations of suicide are anomic and fatalistic. Anomic suicides were of particular interest to Durkheim since they dealt with the inability of social institutions to meet the needs of individuals (Dunman). Subgroups of anomie include a general loss of satisfaction with social institutions such as religion, changes in a micro-social position, as in widowhood, and long term dissolution of traditional stabilizers, caused by a long-term societal shift such as revolution (Dunham).

The last of Durkheim’s suicidal designation is fatalistic, which stems from an over-regulated, under-fulfilling life. Fatalistic lives are perceptually rife with process and devoid of progress; Durkheim cited slaves, childless young wives, and young husbands (Dunham).
Wandering through the still and frigid air on an October night, which of Emile’s categories was I languishing in? As with any case of depression or suicidal thought, it’s impossible to perfectly define strife. However, as an adolescent living away from home, I did feel isolated. As a college student, I felt ineffectual, effectively immobile – Cache Valley’s own overweight Holden Caulfield. As a failing member of a pervasive religion, I felt like a broken toy.

Having grown in up in the heart of the Promised Land, I was well aware of the distance and dissatisfaction brought on by disobedience to the socio-religious norms of the area. This is feeling shared by many, and its effects are visibly documented. Utah boasts significantly higher suicide rates than is nationally typical, and suicide rates are inversely associated with activity in church activity (Hilton 413).

I was a disturbed sampler plate of a whole buffet of sociological ills, and I had had enough. I turned my distressed attention to the burning aftermath of my decision. How will I go about this? I’d prefer not to put my brains on a wall, but I do want it to be quick. Who will find my body? Will it ruin them?

I did my best to press those thoughts into the overstuffed closet of my subconscious and twisted my focus onto more feasibly answerable queries. If I end up pushing daisies, what will I leave behind? A ridiculous pile of free t-shirts, horded like some people collect stamps, boxes of knick-knacks, an unmade bed, atrophied friendships, and wasted potential, and a note.

The last was already taken care of. I had written a suicide note long before I thought of suicide. A death-note, rather. Nothing particularly morbid, just a list of things I’d like to pass on if were suddenly snuffed out, the victim of a broken roller-coaster track or a divine lightning bolt. It was on the night before a minor surgical procedure that I first stood on the edge of the world and looked into the gaping abyss beyond. What if I don’t come out of anesthesia? What if instead of thrashing into consciousness in a stiff-sheeted bed, I bumped my elbows on pitch black silk? Would I be greeted by the kind and sterile faces of orderlies, or winged cherubim, or cackling imps...or worst of all...Nothing?


Confronted with such existential terrors for the first time in my life, I asked myself the best questions I could conjure, and recorded the answer. What did I know that would be useful to others? What message could I leave my family to help them through life's rigors? Above all, why did I feel the need to impart something meaningful?

I collapsed next to my car with a tattered notebook, and made some additions to my postmortem address. I spoke of my frustrations, of insolvable questions, of insurmountable guilt,

of nameless desperations. And I decided that it was not my time to go.

Since that time I found ways to overcome such thoughts, to do battle with the forces that would have me on my way. I have spent many a sleepless night coming to terms with the reasons for my cosmic near-miss. I have come to the conclusion that I fit into a category of my own creation – communicative suicide. As I reread the contents of my declaration, I realized that part of the grim glamour of taking my life was in the note itself. I was poised to blow out my candle because there were things penned in my darkest hour that I felt unable to communicate in any other medium but blood.

My father, a police officer for almost a decade, responded personally to approximately a dozen suicides. Of those poor souls, only one crossed Styx without leaving some sort of message (Roden). Regardless of one’s motivation, a suicide message makes sense. To leave something when you go seems natural. I argue though, that that communication can be a factor in the mortal decision itself. Perhaps for some individuals, the only way to combat egoistic and anomic influence, the only way to make oneself known, and thusly find one’s place, is to leave a trail of breadcrumbs into the world beyond.

Any form of sadness, whether or not it culminates in loss of life, is the product of unmet needs. The challenge for individuals like me is realizing that there are open ears and open hearts – validation and expression are indeed possible above ground. In days before I flirted with Hela I scoffed at the idea of talk, writing it off as worthless emotional catharsis. However, it is therein is in care and question that healing can be found. Much of my recovery has been verbal. I realized that my deepest, darkest thoughts could indeed by conveyed by my mouth rather than my shroud.

“But since it falls unto my lot,
that I should rise and you should not
I'll gently rise and softly callGood night and joy be with you all. (Ren Faire)”

I know now that I when I finally leave this place, I need not leave desperation. I hope to raise the parting glass, free of regret, knowing that my life has sent a message that my demise never could.
There you have it...I'm laying it on a bit thick there at the end…these Honors dudes love it

Wednesday, January 9, 2008

Acccesssorriees?!?


The man purse seems better and better with every breath I take. I am sick of lumpy pockets. I am sick of getting inky-wrist stabs when I reach in for a pen. I'm sick of my over-stuffed wallet leaving indentations in my butt when I watch a movie. I think I am going to drop-kick caution to the wind and start rocking the man bag. WHAT?!?! WHAT?!?!? YOU GOT A PRO'LEM?!?! Apparently I'm too FIERCE to notice

if i read one more political blog on Myspace


something is going to need to stay in vegas after occuring in vegas.

it seems to me that many people are so desperate to seem well rounded and active that they spout off about topics about which they know very little. they spend fifteen or so minutes intellectually masturbating, and then go back to playing WoW or smoking weed or whatever it is they do. Nodody actually DOES anything, they just lampoon the state of affairs and rage against the generalized machine and try make themselves feel smart.


If you really care about your buzzword crusades (sticking it to the man, shaking up the "staus quo," bringing sexy back, etc.) go picket, go vote, go streaking through the capitol (a or o...i'm not quite certain) building. go out and get your efficacious jollies. don't blog.case in point :the blog i've just written.


epilogue: you may (if anyone actually read this, which i doubt) find yourself thinking, "Ben, this is so hypocritical. You spent the last paragraph assaulting our generation of feaux activism, of digital inaction. This is all well and good, but aren't you just reinforcing your own complaints, proving yourself to be exactly the kind of person you so openly criticize?" To which I might answer (once again, given that somebody actually reads this crap),

"Yes, my child. You are quite correct...but it doesn't matter. I define myself by my impotent tirades. I don't believe in our democracy. I don't believe individuals have power.
Our world is doomed, and I'm going to mow the lawn. Without a shirt. You're welcome, ladies."

Wednesday, August 8, 2007

Music

Ok. I quickly wanted to share with you..well...anybody really, two really excellent bands, both of which are overlooked.

1 - Third Eye Blind...yeah everybody knows who they are. They have lobbed several mediocre singles onto the airwaves over the past decade. However, they are definitely worth further listening. Stephen Jenkins churns out dirty, sour, profound little post-grunge treasures. The music is simple and catchy, at times drawing more from big arena-rock licks than post-grunge textures.

2 - Miracle LegionMiracle Legion showed a lot of promise in the late 80s, early 90s, but something, at least in the eyes of mainstream america, never clicked. At the bands heart is Mark Mulcahy, who is in my opinion one of the greatest musicians that no one has ever heard of. Miracle Legion's sound is unique and enjoyable. Catchy but not canned, ML is full of joy and melancholy. Also worth noting are Polaris, a Mulcahy project that produced the excellent alt-rock soundtrack to the cult TV masterpiece, The Adventures of Pete and Pete.Mulcahy's recent releases, "Fathering" and "in pursuit of your hapiness," are also excellent.

oh, and if you are into hardcore, check out Medea, some really talented guys right out of the heart of happy valley. Their EP will be released on august 16th. Show some love for my buddies.
myspace.com/medearock

Friday, July 13, 2007

Prologue

I have spent my golden days tasting lies like sour milk. I have seen what the world wants for me, as the world has surely witnessed my perils. So, I think, few will find it suprising to find me here. It will be so easy to write this off to the maelstrom of youth, to imbalance, to desperation.

That's not what this is about.